Kuchipudi is a dance-drama tradition and derives its name from the village of Kuchipudi in the Southern State of Andra Pradesh. In recent years, it has evolved as a solo dance for the concert platform and is also performed by women, though like Kathakali it was formerly the preserve of men. The female roles were enacted by men and even today, the tradition boasts of gifted male dancers enacting female roles with such consummate artistry that hardly anyone would notice them as male dancers.

The movements in Kuchipudi are quicksilver and scintillating, rounded and fleet-footed. Performed to classical Carnatic music, it shares many common elements with Bharatanatyam. In its solo exposition Kuchipudi nritta numbers include jatiswaram and tillana whereas in nritya it has several lyrical compositions reflecting the desire of a devotee to merge with God - symbolically the union of the soul with the super soul.

The songs are mimed with alluring expressions, swift looks and fleeting emotions evoking the rasa. A special number in the Kuchipudi repertoire is called tarangam, in which a dancer balances herself on the rim of a brass plate and executes steps to the beat of a drum. At times she places a pot full of water on her head and dances on the brass plate. The song accompanying this number is from the well known Krishna Leela Tarangini, a text which recounts the life and events of Lord Krishna.

In expressional numbers a dancer sometimes chooses to enact the role of Satyabhama, the proud and self-assured queen of Lord Krishna, from the dance-drama Bhama Kalapam. She goes through various stages of love. When in separation from Lord Krishna, she recalls the happy days of union and pines for him. At last they are reunited when she sends him a letter. One more number from the Kuchipudi repertoire that deserves mention is Krishna Shabdam, in which a milkmaid invites Krishna for a rendezvous in myriads of ways giving full scope for the dancer to display the charms of a woman.

Ardhanareeshwara – according to hindu mythology is depiction of equality between man and women, where shiva gives equal importance to parvati. The concept behind Ardhanareeshwara is that the whole universe is made up of Prakruti and the Purusha - male and female embodiments. Ardhanareeshwara represents the same iconic form of co-existence as Siva and Parvati," says the dancer who appears in a costume that shows half his body as Siva and another half as Parvati. In this piece the dancer uses subtle and graceful movements to show the women or Parvathi and more vigorous and powerful movements to show Shiva.

* Surya is Learning and performing with Veena murthy Vijay in her productions from past 8 years.

* Performed with Vyjayanthy Kashi and her Shambavi School of dance.

* Attended work shop for 10 days under the guidance of Smt.Vyjayanthy Kashi held at Suratkal.

* Conducted 10 days workshop for “Omkara” School of Dance Switzerland Mar-April 2008